The Artistry of The Guitar ...a landmark collection at auction

February 19, 7PM

Public Preview:
February 18, 1PM - 9PM
February 19, 10AM - 6PM

Auction Location:
Arader Galleries
1016 Madison Avenue
New York, NY 10021

Online Bidding:

Absentee Bidding:
By e-mail, mail and telephone

$20 by Priority Mail in the U.S
$40 by International Priority Mail

Tom Doyle Shows Les Paul's Original 1954 Black Custom 'BLACK BEAUTY"

Les Paul’s 1954 Black Custom, better known “Black Beauty,”
will grace the cover of Guitar Player’s February 2015 issue.

This special NAMM preview edition will feature in-depth interviews with
Tom Doyle (Les’ close friend/luthier/guitar tech) and Arlan Ettinger
(President of Guernsey’s) on the supreme importance of Black Beauty, Les Paul,
and the indelible marks they imparted on 20th-century popular music.

NEW YORK, NY – On February 19, New York City-based auction house Guernsey’s will proudly present the very instrument that many credit for making rock and roll possible. Known as “Black Beauty,” this landmark guitar was designed by and belonged to guitarist-inventor Les Paul decades ago — it is the instrument from which Gibson’s enormously popular Les Paul models evolved. Museums, collectors, musicians, and fans alike will have the opportunity to own this pivotal piece of history when it is put up for auction at the Arader Galleries on Madison Avenue in New York City.

A pioneering musician as well as an avid inventor, Les was always looking to improve upon the guitars he was playing. Approached in the early 1950s by Gibson with the hopes of building a true electric model suited to his needs, the first two guitars constructed (known as “Gold Tops” because of their golden color) had multiple design flaws. In response, Les demanded that a much better instrument be made if it were to bear his name. Though initially referred to as the Les Paul Black Custom, this marvel eventually became known as “Black Beauty.”

The guitar’s storied history began when it left the Gibson factory in December of 1953 and was delivered to Les in early 1954. Modifications and experiments were constantly made on this instrument from its first use in 1954 until its last use in 1976 – all in pursuit of the ideal sound Les craved. He played this guitar for years on the Les Paul and Mary Ford Show (famously sponsored by Listerine), as well as during countless stage performances, and professional recordings. This forward-thinking instrument featured superior refinements: a new tune-omatic bridge and stoptail piece system, finer inlays, and a fancy-looking binding around the entire guitar -- all in black with gold hardware -- reminiscent of a formal black tuxedo.

Many of today’s most accomplished musicians keep multiple Les Paul models in their arsenal and play them extensively, including Jimmy Page, Slash, Eric Clapton, Paul McCartney, Bob Marley, Jeff Beck, Neil Young, Dave Grohl, Peter Frampton, Billy Gibbons, Joe Bonamassa, and many, many more. Some of the most famous names in modern rock and blues history proudly played on their own Les Pauls, such as Gary Moore and the legendary Peter Green just to name a few. Indeed, hundreds of thousands of these fine instruments are used around the globe as the guitar of choice for serious players and performers. So important to the history of the electric guitar, Black Beauty appears as the cover story of the February 2015 issue of Guitar Player Magazine where it is described simply as “The Grail!”

After more than 20 years of performing with and innovating on this guitar, Les gifted this iconic instrument in 1976 to his personal luthier, technician, and close friend, Tom Doyle, where it has remained in Tom’s private collection to this day. Both Les and Tom knew that this instrument would be considered a bellwether, one of the most iconic pieces of Les Paul’s career, and a very important and historically significant piece. Some 60 years after it was made for Les Paul, this guitar transcends its inherent importance as a collectable item, a historical musical instrument, and as an amazing piece of memorabilia for fans of the man who made rock and roll a reality.

In addition to this landmark instrument Guernsey’s is proud to offer other select items from the collection of Tom Doyle, most notably Chet Atkins’ legendary prototype Gretsch guitar known as “Dark Eyes.” This one-off Black 6120 model was one of two prototypes Gretsch made for Atkins. (The other was the traditional orange). Chet used the instrument as his benchmark for the many experiments and innovations that would eventually develop the 6120 Model for the mass market; he can also be seen playing this guitar during numerous appearances from the late 1950s. It is by no means a coincidence that both of these black guitars have joined forces once again via this auction, for they each spawned the modern electric offerings of the Gibson and Gretsch guitar companies. Guitar Player Magazine called these instruments “Two of the most important guitars in music history,” and their importance does not solely lie in the hands that played them, but because of what they represent within the confines of the luthiery arts and advancements in sound technology.

Other important pieces in this collection include Les Paul’s Stage Stool from Fat Tuesday’s in New York City, Original Ampex Recording Machine from Les Paul’s Home Studio, Handwritten set lists, Live Les Paul Show Recordings (1984-1990), Mary Ford’s Music Stand and more.

All lots scheduled for this auction will be available for preview at the Arader Galleries located at 1016 Madison Avenue on February 18, 2015 from 1 to 9. Interested bidders may also preview the items on the day of the auction until 7pm when the bidding will promptly begin.

For additional information visit or contact Guernsey’s at 212-794-2280. For media inquiries or to request an interview, please contact Jaclyn Todisco at 646-695-7053 or


A beautifully designed catalogue will be available in an extremely limited edition by January 2015. Click here to Pre-Order your Tom Doyle Collection copy.

Online Bidding

Those who are unable to attend the auction but would like to participate can view the full catalogue online, and leave advance absentee bids, as well as bid live as the sale is taking place at


Interested bidders should also review the Terms & Conditions, as well as the Bidder Agreement form, and the Absentee Bid form.


Guernsey's welcomes inquiries from the media regarding both past and upcoming events. PDF copies of the press release and links to media coverage of our Tom Doyle Collection are available below:

Press Release (February 19, 2015)

Les Paul owned “Black Beauty” & Chet Atkins "Dark Eyes" Prototype Guitars up for auction

Chet Atkins Plays the piece “Dark Eyes”

Chet Atkins - Alabama Jubilee (1956)

The Video of Joe Carducci – Head of Operations for Gretsch Guitars

Tom Doyle Shows The Very Early Chet Atkins Gretsch 6120 Prototype

Tommy Emmanuel in NYC with Les Paul's Black Custom & Chet Atkins' 6120 Proto

Following is a small sampling of the significant items to be sold:

Les Paul's Original 1954 Black Custom 'Black Beauty"

Chet Atkins' Original Gretsch 6120 Prototype 'Dark Eyes"

Original Ampex Recording Machine from Les Paul’s Home Studio

Les Paul’s Stage Stool from Fat Tuesday’s in New York City

The Original 16 Track Soundboard from Fat Tuesday’s

1951 55S Shure Multi-Impedance “Unidyne” Microphone

RCA 74-B Microphone with Atlas Sound Stand from Les Paul’s Home Studio

Ampex 400 Recording Machine from Les Paul’s Home Studio

A Unique Collection of 80 Les Paul Gig Cassettes from Fat Tuesday’s (1984-1990)

Original Late 1940’s Gibson Factory Stevens Pickup Winder

Handwritten Setlists for the Les Paul Trio at Fat Tuesday’s - Six Pages
10/6/86, 12/8/86, 1/12/87, 1/19/87, 1/26/87, 2/2/87